The Target

Jul 13, 2026 — Jurors have honored films from Myanmar, Denmark, Slovakia, Japan, and Greece.

Jan 31, 2024 — Shifting recklessly between realism and surrealism, this drug-fueled odyssey from director Danny Boyle is a propulsive satire of depleted masculinity in urban Scotland.

May 25, 2023 — Audrey Diwan’s jury spotlights emerging talents from Malaysia, Belgium, Serbia, and France.

Jun 11, 2021 — “The whole world is dying of panicky fright.” The opening on-screen text of Todd Haynes’s Poison promises an unsettled experience. Yet these words also might as well be predicting the puritanical response to the film that erupted from conservative quarters. After winning...

May 23, 2019 — One family infiltrates another in one of this year’s top critical favorites.

Jun 21, 2018 — Repertory Picks Fritz Lang’s first sound film, M, remains perhaps the most influential serial-killer movie in the history of cinema. Next Wednesday, it comes to the University of Wisconsin–Madison Cinematheque as part of an ongoing series showcasing the film’s star, Peter Lorre....

Jan 25, 2018 — Over a month ago now, we posted the first round in the ongoing series of lineup announcements from the Berlin International Film Festival, whose sixty-eighth edition runs from February 15 through 25. And that round revealed the first eleven titles...

Sep 3, 2017 — We begin with Jessica Kiang at the Playlist: “The book that will someday be written detailing the evolution of the cinematic head-stomp will be divided, rather like the most unfortunate victim of Bone Tomahawk, into two halves: before S. Craig...

Jan 21, 2008 — As late as 1970, Alf Sjöberg’s boldly experimental 1951 adaptation of August Strindberg’s play was declared as inaugurating “a new cinematic language.”

Nov 12, 2007 — What is left of Berlin Alexanderplatz, this endless canon of the sublime and the trivial, is thus a perpetuum mobile of the human dance of love and death.