Fritz Lang’s first sound film, M, remains perhaps the most influential serial-killer movie in the history of cinema. Next Wednesday, it comes to the University of Wisconsin–Madison Cinematheque as part of an ongoing series showcasing the film’s star, Peter Lorre. The actor gives an indelible performance as a child murderer who becomes the target of a manhunt across Berlin, and through his innovative use of expressionist imagery, music, and sound design, Lang burrows deep into the protagonist’s fractured psyche, while also delivering a perceptive portrait of decadent 1930s Germany on the brink of madness. Though rooted in the historical specificity of its period, the film still feels bracingly modern in its style and unflinching approach to its subject matter. As Stanley Kauffmann notes in his essay for our edition, M is “more engaging to the eye, more incisive in its irony, more firm in its grasp of social complications than most of the films that come along today.”
An Antiwar Film for the Ages Returns to Theaters
Elem Klimov’s devastating chronicle of World War II, Come and See, is back on the big screen in a new restoration. Here’s what the critics have to say about this Soviet masterpiece.
Two Stark Visions of the American Underbelly Hit the Big Screen
A new restoration of the groundbreaking vérité documentary Streetwise joins its companion piece, Tiny: the Life of Eric Blackwell, at New York’s Metrograph theater this weekend.