The Criterion Collection
Sep 28, 2022 — A high point of early Argentine cinema, Mario Soffici’s 1939 film about the plight of plantation workers is an unflinching examination of exploitation and violence.
The Daily
Sep 30, 2021 — Fresh out of luck in Texas City, a fast-talking porn star aims to get back to LA.
Features
Dec 20, 2017 — In her latest column, critic Imogen Sara Smith explains how cinematographer Henri Decaë brought a risk-taking spirit and seductive allure to some of the most iconic French crime films.
On the Channel
Nov 22, 2017 — The Oscar-winning director of last year’s indie sensation Moonlight shares how he fell in love with the art of storytelling in a new conversation on the Criterion Channel on FilmStruck.
Oct 21, 2014 — Federico Fellini’s frantic tragicomedy is such a classic it risks being underestimated.
Sep 9, 2013 — As outré as it is, the most subversive thing about this classic farce is its take on what’s normal.
Apr 23, 2007 — Louis Malle’s documentary work adopts certain tenets of cinéma direct—improvisation, minimal crew, the refusal to organize reality—and applies them to a consistently class-conscious, outsider perspective.
Apr 28, 2026 — In April 1992, John Singleton was en route to the set of his second film when he heard the verdict on the radio. A predominantly white jury had acquitted four police officers who, a year earlier, had been caught on...
The Daily
Apr 16, 2026 — Dozens of filmmakers will attend the third edition of the American Cinematheque’s documentary festival.
The Daily
Feb 3, 2026 — This year’s winners tell stories of trauma and triumph.