Introduction

Aug 13, 2026 — In Kidlat Tahimik’s playful and unpredictable film, a Philippine village is tasked with manufacturing thousands of figurines for the Olympic Games, upending the lives and customs of the local population.

Jul 21, 2026 — Harry Dean Stanton’s Jerry Schue doesn’t get on-screen until a full hour of Ulu Grosbard’s Straight Time (1978) has passed. Unlike Orson Welles as Harry Lime in The Third Man, Stanton’s character hasn’t been discussed, chewed over, anticipated, and foreshadowed for...

Jul 17, 2026 — Channel Calendars This month on the Criterion Channel, crank up the volume on our playlist of (actually good) rock biopics that go beyond cliché to explore the elusive place where inspiration sparks and musical legends are born. Our Southern Gothic...

Jun 22, 2026 — A quiet highlight of last fall’s festival season, Milagros Mumenthaler’s third feature tours theaters through July.

Jun 11, 2026 — An adaptation of Night and Day follows two new reimaginings of Mrs. Dalloway.

Jun 5, 2026 — A series of films Malle made in the U.S. opens with an excellent documentary on the director’s life and work.

May 28, 2026 — Film at Lincoln Center and Cinecittà present two series back to back, Open Roads: New Italian Cinema and History, Italian Style.

May 26, 2026 — Women’s hands dance over typewriter keys. The percussive racket they make, like the tapping of an unruly chorus line, takes the place of music during the opening credits of The Office Wife (1930), which appear over a montage of female...

May 14, 2026 — Channel Calendars This month on the Criterion Channel, set out on an epic journey with our Odysseys collection, or revisit the foundational Bond classics that introduced the silver screen’s most iconic superspy. A spotlight on Courtney Love’s acting career reveals...

May 11, 2026 — We begin with the Marilyn Monroe centenary and move on to thrillers and collections of poetry and critical essays.