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Stephen Farber is a Senior Editor at Movieline and author of several books on film, including Hollywood Dynasties (with Marc Green) and Outrageous Conduct: Art, Ego, and the Twilight Zone Case.

David Ehrenstein has been writing about film since 1965, for such publications as Film Culture, Film Quarterly, Film Comment, Cahiers du cinéma, and Positif. His books include The Scorsese Picture: The Art and Life of Martin Scorsese and Open Secret:...

Danny Peary is the author of Cult Movies and has written film criticism for such publications as Focus on Film, the Velvet Light Trap, and Newsday.

Amy Taubin wrote regularly about movies for the Village Voice for fifteen years and for Artforum and Film Comment even longer. She lives and still writes a lot in New York City.

Peter Cowie has been a specialist in Swedish cinema since the 1960s and has provided commentaries for numerous films in the Criterion Collection. His biography of Ingmar Bergman will appear in late 2023.

Robin Wood is the author of numerous books and essays on cinema, including Hitchcock's Films and Hitchcock's Films Revisited. He is currently editor of the film journal Cineaction.

Sep 28, 2021 — Melvin Van Peebles takes aim at Hollywood’s way of representing race in this blistering satire about a white man who wakes up one morning to discover that he has turned Black overnight.

Sep 28, 2021 — Melvin Van Peebles: Essential Films Come on now, honey sugarYou know your baby loveYou know just the other dayI was gonna take you to go see a movieSweet Sweetback . . . Stevie Wonder, “Sweet Little Girl,” 1972 We went...

Aug 11, 2020 — The Complete Films of Agnès Varda In September 2018, I screened Agnès Varda and JR’s Faces Places for the Michigan State University Film Collective. We had a lively discussion that went past the scheduled ending time. As I was getting...

Aug 11, 2020 — The Complete Films of Agnès Varda It’s the other famous shot in The Gleaners and I (2000) of Agnès Varda’s reaching hands. Not the one she said was taught around the world as the heart of her documentary-making, where, in...