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The Two of Us

Sep 30, 2021 The Oscar-winning actor—whose one-hundredth birthday we’re celebrating on the Criterion Channel—embodied a mess of contradictions that have long been obscured by her reputation for unbending rectitude.

Sep 30, 2019 At first glance, Jean-Pierre Melville’s body of work might seem to display a schizophrenic split between two currents or tendencies. The first is in total symbiosis with the history of France and is rooted in the filmmaker’s own life, notably...

Apr 8, 2018 Saige Walton and Nadine Boljkovac introduce the dossier “Materializing Absence” in the new issue of Screening the Past: “We start from the central premise that absence in screen media is not ‘nothing’—that absence itself is always invested with material attributes....

Mar 26, 2018 In a new episode of Observations on Film Art, now streaming on the Criterion Channel on FilmStruck, professor David Bordwell talks about Wong Kar-wai’s innovative use of narrative structure in Chungking Express.

Oct 23, 2015 Sweden's new two-hundred-krona bill features the country's most renowned filmmaker.

Jun 25, 2015 German director Bernhard Wicki proved his uncommon cinematic skill with his heartbreaking tale of teen soldiers sent off to die near the end of World War II.

Mar 26, 2013 Charlie Chaplin manages to make a ruthless murderer likable in his brilliant satire of middle-class morality.

Aug 11, 2008 Every Guy Maddin movie creates the illusion of a secret history. His willfully primitive cut-rate spectacles seem like artifacts, reanimated bits of cultural detritus, but also like hauntings, the return of the cinematic repressed. From the start, Maddin’s sensibility was...

Jun 23, 2008 The year 1950 marked a turning point in Anthony Mann’s career, the moment when he passed from the series of brilliant film-noir B movies that had established him to the westerns that made him a major figure. Mann released three...

Feb 11, 2008 Though today he is most fondly remembered for his later romantic comedies, typifying Hollywood filmmaking in its heyday, it should be known that Ernst Lubitsch was also a pioneer of the modern movie musical.

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