The Criterion Collection
Jun 1, 2022 — With his love of dissonance and bold use of dramatic motifs, the Hungarian-born composer Miklós Rózsa popularized a whole new style of film music.
The Daily
May 31, 2022 — The jury gave awards to nearly half the competition, but some critical favorites missed out.
The Daily
May 20, 2022 — Critics take a first look at new films from James Gray, Felix van Groeningen and Charlotte Vandermeersch, Mia Hansen-Løve, Saela Davis and Anna Rose Holmer, and Pietro Marcello.
May 17, 2022 — A new restoration of The Mother and the Whore launches Cannes Classics before Final Cut officially raises the curtain.
Essays
May 17, 2022 — Juzo Itami’s tragicomic directorial debut has scandalous fun with the Japanese traditions governing death.
The Daily
May 3, 2022 — A Melbourne Cinémathèque series of double bills spotlights Lang’s penchant for drilling into the darkest recesses of human nature.
The Daily
Apr 29, 2022 — This week swerves from the slick cinéma du look to the harshest punk noise.
Apr 25, 2022 — The monthly program will feature introductions, interviews, and more supplements.
The Daily
Apr 20, 2022 — Running parallel to Cannes, two independent programs will present work ripe for discovery.
The Daily
Apr 5, 2022 — A series at Vulture and Karina Longworth’s You Must Remember This revisit the erotic movies of the 1980s and ’90s.