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Half a Life

How Late Is It?

The Daily

Oct 16, 2026 — Metropolis and John Berger turn one hundred, Daisies is sixty, and the future is closing in.

Aug 17, 2026 — Top prizes go to Florin Șerban, Hong Sangsoo, Alessandra Sanguinetti, and Beatrice Gibson.

Inner Friction

The Daily

Aug 14, 2026 — Fine writing on Powell and Pressburger, James Gray, Catherine Breillat, and Richard Linklater—plus: Isabelle Huppert on Claude Chabrol.

Deep Dives

The Daily

Aug 7, 2026 — This week: Conversations with Jane Schoenbrun, Ngozi Onwurah, and Kent Jones and writing on Jean Epstein and Stanley Kwan.

Jul 24, 2026 — Names on our minds this week: Mike Mills, Jean Renoir, Ronee Blakley, and Luchino Visconti.

Jul 14, 2026 — One of the funniest and most affecting scenes in 1970s Hollywood cinema is also one of the most quietly radical—no small feat in a decade of movies marked by wiggy experimentation, explosions of brutal and cathartic violence, and shaggy new...

Jun 30, 2026 — The distinction between social and political cinema is not always clear. The former category, which focuses on realistic portrayals of the everyday lives and struggles of the working class, generally includes the films of Italian neorealism and British social realism,...

May 27, 2026 — When Joachim Trier made his debut in 2006 with the film Reprise, I felt as if a veil had been lifted. There was nothing wrong with Norwegian cinema before Trier’s arrival, but it always seemed to be about someone else,...

May 27, 2026 — This year brought restorations of Ken Russell’s The Devils and docs on Vittorio De Sica, Chris Marker, David Lean, and Bruce Dern.

May 26, 2026 — Of all the performing arts, stand-up comedy may be the most ephemeral, even more so if the humor is considered dangerous or taboo. Stand-up relies on the charged dynamic between a comedian and an audience, with both sides often bringing...

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