The Moromete Family

Nov 6, 2013 — Samuel Fuller and Vincent Price would seem to make an incongruous pair. The director’s gritty, unaffected sensibility might seem antithetical to the actor’s lofty, melodramatic approach to performance. But Price is delightful as the protagonist in Fuller’s second film, The...

Oct 24, 2013 — In 2004, actors Peter Falk and Gena Rowlands sat down in Rowlands’s home to discuss their landmark collaboration on John Cassavetes’s A Woman Under the Influence, in a conversation for Criterion. In the seventeen-minute dialogue, Falk (who died in 2011)...

Aug 27, 2013 — Ernst Lubitsch’s World War II–era high-wire act is a profound take on the absurdity cruelty of civilization and a perfect black comedy to boot.

Jul 1, 2013 — How the original comic everyman made us laugh and fear for his life.

Apr 26, 2013 — Among filmmaker Pierre Etaix’s many eclectic accomplishments is his appearance as one of the thieves in Robert Bresson’s Pickpocket. However, you probably won’t be able to spot him: all that’s left of his performance is one of his hands, surreptitiously filching a wallet. In...

Feb 27, 2013 — More than eighty films into his career, Kenji Mizoguchi made this emotionally devastating masterpiece, from a story by Ogai Mori.

Feb 20, 2013 — In this clip from a new interview on our release of On the Waterfront, the Oscar-winning filmmaker Martin Scorsese talks to critic and programmer Kent Jones about how much Elia Kazan’s masterpiece meant to him as a young moviegoer.

Feb 11, 2013 — The movies of the Belgian filmmaking duo Jean-Pierre and Luc Dardenne are at once studies in propulsive forward motion and moral tales that plumb the depths of their troubled characters with jittery concern. In works like La promesse, Rosetta, and...

Dec 13, 2012 — Repertory PicksThe Museum of Modern Art in New York is holding its first full retrospective of the films of Pier Paolo Pasolini in more than twenty years. Starting tonight and running through January 5, the series will include not only...

Nov 21, 2012 — In his films as well as his poems, novels, and short stories, Pier Paolo Pasolini evinced a love of vernacular speech, often choosing to write in the slangy argots of the working class and the dispossessed. He made his adaptation...