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The Killing

Feb 7, 2018 — New York. The Tribeca Film Festival has announced that its seventeenth edition will open on April 18 with the world premiere of Lisa D’Apolito’s Love, Gilda, a portrait of Gilda Radner, who “captivated millions of television viewers as an original...

May 27, 2017 — “Some filmmakers rust during periods of inactivity,” begins Guy Lodge in Variety. “Lynne Ramsay arches and tenses, lying in wait like an attack dog. And attack she does, though not in all the expected ways, in her astonishing fourth feature...

Mar 24, 2016 — With Edward Yang’s A Brighter Summer Day finally available in the U.S., screenwriter Hung Hung talks about his working relationship with Yang, the film’s truncated distribution and slow path to acclaim, and the real-life roots of its narrative.

Jun 25, 2013 — How Claude Lanzmann made a thoughtful film about the unthinkable and unfilmable.

Mar 26, 2013 — Charlie Chaplin manages to make a ruthless murderer likable in his brilliant satire of middle-class morality.

Jan 5, 2011 — The blog Dangerous Minds has just posted a short entry focusing on the early-seventies almost-collaboration between Ron and Russell Mael, of the Los Angeles pop-rock band Sparks, and Jacques Tati, revealing what might have been a fascinating final chapter to...

May 27, 2010 — Dismiss from your mind, momentarily at least, the John Ford we know, who could define himself with the three words “I make westerns.” Before Stagecoach (1939), Ford’s talking pictures played out in submarines, penitentiaries, and Scottish castles, in Mesopotamia, colonial...

Nov 15, 1994 — Andrzej Wajda’s third full-length film established the director as a leader of the new Polish cinema.

May 26, 2026 — Women’s hands dance over typewriter keys. The percussive racket they make, like the tapping of an unruly chorus line, takes the place of music during the opening credits of The Office Wife (1930), which appear over a montage of female...

Hotel Noir

Features

Nov 11, 2019 — Dark Passages I. Vacancy All the rooms are the same. There is always a skeletal bedstead with an uninviting mattress; a scuffed chest of drawers; a grimy little sink; a naked light bulb; bare walls on which the memory of...

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