The Criterion Collection
Essays
Aug 2, 2004 — Anna Magnani’s flair for demotic street comedy was transfigured into stylized nobility by sumptuous costuming and Jean Renoir’s formal camera work.
Aug 18, 2003 — One of the Swedish director’s most representative works, this drama’s portentousness, banked intensity, and recondite symbolism come near to embodying the popular stereotype of the Bergmanesque.
Essays
Oct 15, 2001 — Preston Sturges’s beloved comedy provides insights into the way Hollywood formulas work on us.
Jan 28, 1991 — The following review, one of the most renowned in the history of film criticism, appeared in The New Yorker magazine on October 28, 1972. It is reprinted with the permission of the author, Pauline Kael. Bernardo Bertolucci’s Last Tango in...
Nov 11, 2002 — Continued from Anatomy of a Love Festival - Part One The real turn-on, though, was the music—twenty-two hours of it, divided into solid chunks that usually ran more than thirty minutes. Friday night was the epitome of what San Francisco...
The Daily
May 28, 2026 — Film at Lincoln Center and Cinecittà present two series back to back, Open Roads: New Italian Cinema and History, Italian Style.
The Daily
Aug 31, 2023 — With the WGA and SAG-AFTRA strikes on, the spotlight this fall will be on the directors.
Feb 25, 2014 — A testament to Steven Soderbergh’s versatility, this story of a boy growing up during the Great Depression is a tender but tough-minded look at a child’s inner world.
The Daily
Aug 13, 2026 — BAM’s sun-drenched series features films by Ozu, Kurosawa, Oshima, Kitano, Obayashi, Shinji Somai, and more.
The Daily
Jul 29, 2026 — Film Comment presents a series of works featuring, focusing on, and/or written by the famed critic and novelist.