The Criterion Collection
The Daily
Sep 10, 2018 — Hopes were high in Venice this year, and for the most part, they seem to have been fulfilled.
The Daily
Jul 8, 2018 — “I Do Not Care If We Go Down in History as Barbarians” takes the top prize.
The Daily
Jun 20, 2018 — The anniversary edition features three world premieres and the best of this year’s Sundance.
The Daily
May 18, 2018 — The young Chinese director transports critics to a state of “melancholic bliss.”
On the Channel
Jan 17, 2018 — Canadian filmmaker Atom Egoyan chats about his career in the final season of the groundbreaking TV show Split Screen.
The Daily
Oct 17, 2017 — Paul Thomas Anderson’s next film—and very likely Daniel Day-Lewis’s last—now has a release date, Christmas Day, and its own website. In Phantom Thread, Anderson “will once again explore a distinctive milieu of the 20th century. The new movie is a...
In Theaters
Jan 8, 2016 — In March of 1967, Bosley Crowther, then the film critic for the New York Times, wrote about Orson Welles’s Chimes at Midnight, penning what is now considered one of his most famously wrong-headed reviews.
Sep 22, 2009 — 1967 was the year when a great divide opened between “pop” and “rock,” and when the burgeoning S.F. hippie subculture began to usurp the chirpier L.A. world of surf music and Sonny and Cher.
Dec 21, 2008 — In 1962, Roberto Rossellini called a press conference in a bookshop in Rome and announced that the cinema was dead. “There’s a crisis not just in film but culture as a whole,” he explained. Increasingly, Rossellini had understood the great...
Essays
Dec 9, 1985 — Movie thrillers may come and go, but after half a century, Alfred Hitchcock’s The 39 Steps still reigns supreme. And not only for the sheer, breathless excitement of the story; the seamless construction; the chilling, beautifully realized atmosphere; and the...