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We the Poor

Nov 25, 2025 Inspired by Arthur Schnitzler’s 1926 novella Traumnovelle, Stanley Kubrick’s final film is a deeply personal examination of the fragility of marriage and the destructive power of sexual fantasy.

August Books

The Daily

Aug 27, 2025 The summer’s been terrific for new movie magazines and filmmaker biographies.

Jun 26, 2025 One of the defining independent films of its era, François Girard’s provocatively splintered portrait of the great pianist finds playful ways of toying with the cultural mythologization of its subject.

Jun 12, 2025 The acclaimed crime writer joins a producer of the 1999 adaptation of The Talented Mr. Ripley to discuss the cinematic incarnations of Patricia Highsmith’s shape-shifting, quintessentially American antihero.

Sep 25, 2024 At a time when women were understood to be the primary audience for movies, Hollywood studios built vehicles for actresses that doubled as showcases for the industry’s many brilliant female screenwriters.

Dec 8, 2023 Roy Waller (Nicolas Cage), the jittery protagonist of Ridley Scott’s 2003 crime comedy Matchstick Men, doesn’t like to think of himself as a common crook. “I’m a con artist,” he insists, and—in a frenzy of self-justification—further explains: “They give me...

Resonant Hauntings

The Daily

Nov 10, 2023 Black mothers’ stories come around again, Matt Wolf probes the archives, and Lizzie Borden conjures the streets of mid-1980s New York.

Sep 6, 2023 Poor Things and The Beast are critical favorites, Ferrari comes alive when the big race is on, and verdicts are split on The Killer.

At the Wheel

Essays

May 30, 2023 Arriving at a fulcrum moment in women’s history in the United States, Thelma & Louise stoked controversy by delivering a boldly feminist worldview in a funny, warm, and sexy package.

Apr 28, 2023 This week’s highlights whiplash from a vibrant club scene to the chaotic final days of the Ceaușescu regime, hitting several disparate points in between.

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