The Criterion Collection
Apr 11, 2018 — Sabzian alerts us to two new images from Jean-Luc Godard’s Le livre d’image posted by Casa Azul Films, which tells us that we can expect the film some time this year. Ioncinema’s Nicholas Bell is hoping to see it in...
Jan 31, 2014 — Tim Forbes is chairman of Forbes Digital and a former independent producer and screenwriter. He writes: “At the Brown Film Society in the early 1970s, we ran about twenty different movies a week, showing everything then available, from the lowliest...
Film Guides
Jan 6, 2014 — Critics commonly describe Throne of Blood (1957) as Akira Kurosawa’s adaptation of Macbeth. While this description is certainly not untrue, the film is much more than a direct cinematic translation of a literary text. Kurosawa’s movie is a brilliant synthesis...
Feb 25, 2014 — A testament to Steven Soderbergh’s versatility, this story of a boy growing up during the Great Depression is a tender but tough-minded look at a child’s inner world.
Aug 20, 2024 — In the late 1980s, filmmakers Gregorio Rocha and Sarah Minter set out to capture the rebellious subculture of youth in Ciudad Nezahualcóyotl, a slumlike suburb synonymous with the worst failures of urban expansion in Mexico.
Mar 14, 2017 — Religious fanaticism and anti-Communist hysteria give way to mass violence in this groundbreaking work of Mexican political cinema.
Jun 21, 2018 — I have lost count of the number of times I have had the pleasure of watching El Sur, but I suspect it is among the films I have seen most frequently in my life. It is a treasure chest that reveals...
On the Channel
Aug 31, 2020 — Documentaries lead the charge this month on the Criterion Channel, with a wide-ranging offering of nonfiction films as formally imaginative and emotionally riveting as any scripted drama.
Features
Mar 3, 2016 — By the time Charlie Chaplin began work on what would be his first feature-length film, in 1919, he had been sneaking up to the longer format for some time.
The Daily
Jul 15, 2025 — Much of the program upends assumptions about the postwar years as a period of relative calm and conformity.