The Criterion Collection
Essays
Dec 11, 1989 — Michelangelo Antonioni’s classic divided film history into that which came before and that which was possible after its epochal appearance.
Mar 8, 2016 — Paris Belongs to Us marked the genesis of Jacques Rivette’s unique filmmaking style—introducing visual and narrative elements that Rivette would build on over the course of his long career.
The Daily
Aug 28, 2024 — Critics look ahead to their most-anticipated films in Venice, the festival that kicks off the season.
The Daily
Dec 8, 2020 — Frederick Wiseman’s documentary ranks high in the latest round of lists of the best films and television of 2020.
Features
Dec 30, 2019 — We asked some of our friends if they had underappreciated films from the past decade that they wanted to champion. Here’s what they chose.
May 2, 2017 — It was a cold January morning, with biting winds coming off the Seine, when I stopped by the Librairie du Cinéma du Panthéon during a break from working on our upcoming release of Marcel Pagnol’s Marseille Trilogy. This film-specialty bookstore...
May 15, 2000 — Herk Harvey described to me a strange outdoor ballroom he had seen rotting on the shores of the Great Salt Lake. . . and said he’d like to make a film about creatures rising from the lake and doing a...
Essays
Dec 2, 1991 — Director Akira Kurosawa had wanted to make Throne of Blood for some time. “After finishing Rashomon [in 1950] I wanted to do something with Shakespeare’s Macbeth, but just about that time Orson Welles’s version was announced, so I postponed mine.”...
The Daily
Jun 11, 2026 — An adaptation of Night and Day follows two new reimaginings of Mrs. Dalloway.
May 19, 2026 — “My history’s burning up out here,” Ned Racine (William Hurt) tells his lover in the opening minutes of Lawrence Kasdan’s directorial debut, Body Heat (1981). Ned, a small-time attorney and local roué in his South Florida beach town, recognizes the...