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Mar 31, 2022 This year’s edition features a spotlight on Alice Diop.

Mar 29, 2022 About half an hour into love jones, Theodore Witcher’s romance from 1997 starring Larenz Tate and Nia Long, the two main characters amble along a Chicago block as raindrops fall, soft but insistent. The colors are warm, naturalistic—browns, mauves, and...

Mar 28, 2022 At once euphoric and elegiac, Martin Scorsese’s concert documentary captures the members of the Band on the brink of spiritual and physical collapse as they mount their transcendent final send-off.

Mar 28, 2022 Rosine Mbakam’s documentaries are exercises in reconfiguring relations of power. Her first three nonfiction features are all portraits of Cameroonian women, each of whom is invited to participate in coconstructing a cinematic space of testimony, candor, and expressive autonomy. Filmed...

Mar 17, 2022 New restorations of the six films directed by the renowned actress will screen from coast to coast.

First Look 2022

The Daily

Mar 16, 2022 The dark shadow of Putin’s war hangs over much of this year’s program.

SXSW Is Back

The Daily

Mar 10, 2022 The Austin festival will stage its first in-person event since 2019.

Mar 7, 2022 Maggie Gyllenhaal’s first feature as a writer and director wins three top prizes—and praise from novelist Elena Ferrante

Mar 4, 2022 Freud and Jung make surprise appearances in this week’s roundup.

Mar 1, 2022 A series in London presents films from around the world depicting societies in flux in the 1960s and ’70s.

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