The Criterion Collection
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Mar 31, 2022 — This year’s edition features a spotlight on Alice Diop.
Mar 29, 2022 — About half an hour into love jones, Theodore Witcher’s romance from 1997 starring Larenz Tate and Nia Long, the two main characters amble along a Chicago block as raindrops fall, soft but insistent. The colors are warm, naturalistic—browns, mauves, and...
Mar 28, 2022 — At once euphoric and elegiac, Martin Scorsese’s concert documentary captures the members of the Band on the brink of spiritual and physical collapse as they mount their transcendent final send-off.
Mar 28, 2022 — Rosine Mbakam’s documentaries are exercises in reconfiguring relations of power. Her first three nonfiction features are all portraits of Cameroonian women, each of whom is invited to participate in coconstructing a cinematic space of testimony, candor, and expressive autonomy. Filmed...
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Mar 17, 2022 — New restorations of the six films directed by the renowned actress will screen from coast to coast.
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Mar 16, 2022 — The dark shadow of Putin’s war hangs over much of this year’s program.
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Mar 10, 2022 — The Austin festival will stage its first in-person event since 2019.
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Mar 7, 2022 — Maggie Gyllenhaal’s first feature as a writer and director wins three top prizes—and praise from novelist Elena Ferrante
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Mar 4, 2022 — Freud and Jung make surprise appearances in this week’s roundup.
The Daily
Mar 1, 2022 — A series in London presents films from around the world depicting societies in flux in the 1960s and ’70s.