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Not One and Not Two

Dec 1, 2006 — We left St-Michel feeling uplifted and took a nice stroll south, past the Closerie des Lilas, the restaurant made famous by Hemingway, and through the Luxembourg gardens, where a film crew was laying dolly tracks and fitting counterweights on a...

Apr 17, 2006 — In the absence of a finished, definitive edit of Orson Welles’s enigmatic project, three writers dive into the unsolvable mystery of the film and the different versions presented in the Criterion edition.

Parade

Essays

Mar 31, 1991 — In Jacques Tati’s final work, the physical borders of spectacle and audience are broken down through a variety of means.

Jan 28, 1991 — The following review, one of the most renowned in the history of film criticism, appeared in The New Yorker magazine on October 28, 1972. It is reprinted with the permission of the author, Pauline Kael. Bernardo Bertolucci’s Last Tango in...

Swing Time

Essays

Mar 12, 1990 — This Fred Astaire-Ginger Rogers film is a classic example of how music and dance can be used to tell a story, express emotions, richly explore human relationships, subvert logic, and send us singing and skipping into the street.

The Blob

Essays

Mar 6, 1989 — This black-and-white horror flick is the definitive ‘50s film about a town that won’t listen to the kids until it’s too late.

12 Angry Men

Essays

Feb 8, 1988 — Sidney Lumet’s courtroom drama explores the process of law in human hands, where prejudice, fear, weakness, and even weather can divert the carriage of justice.

Jul 21, 2026 — At the beginning of Cruel Story of Youth (1960), the title splashes across the screen in fiery red. Each of the three Japanese words that appear offers a key to understanding director Nagisa Oshima’s breakthrough film and the energies that...

Jul 6, 2026 — Karlovy Vary hosts the world premiere of a new restoration of the Czech director’s 1988 tragicomedy.

Jun 23, 2026 — “Ozone Hole over Baltimore?” queries a panicky 1992 headline in the Baltimore Sun. Sure, as the article clarifies, the Maryland metropolis, eternal home base of trash icon John Waters, is no more vulnerable to ozone depletion than any other city...

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