The Criterion Collection
Mar 27, 2006 — Louis Malle’s coming-of-age drama offers an unusually full and individualized characterization of a boy whose yearnings, sensitivities, and fantasies outstrip his personality.
Nov 21, 2005 — Why would ambitious filmmakers simply film an opera? Many admirers of the work of Michael Powell and Emeric Pressburger have assumed that their decision to make The Tales of Hoffmann, in 1950, was in some way an admission by the...
Essays
Jun 27, 2005 — Like his earlier adaptations of Terence Rattigan plays, Anthony Asquith’s late work is bereft of heavy-handed directorial flourishes.
Dec 6, 2004 — In his first freestanding biblical epic, Cecil B. DeMille recognized and revered a profound quality in the American soul—its ability to leap over every contradiction through an invincible sense of its own righteousness.
Sep 29, 2003 — Rainer Werner Fassbinder dedicated his final energies to bringing the lost, gray years of postwar Germany back to life.
Essays
Sep 23, 2002 — René Clair’s early sound film is an iconic vision of lower-class Paris bursting with charm and romance.
Apr 23, 2001 — A majestic synthesis of disparate forms, Sergei Eisenstein’s final film seems to be as much a ballet or a moving painting as it is a movie.
The Daily
Jul 13, 2026 — Jurors have honored films from Myanmar, Denmark, Slovakia, Japan, and Greece.
The Daily
Jul 1, 2026 — BAM’s thirteen-film series dips into chapters of American history that tend to get overlooked on Fourth of July weekends.
Jun 5, 2026 — Despite what is often assumed about the history of trans representation in cinema, it is not a simple story of marginalization and stigmatization. In their 2024 book Corpses, Fools, and Monsters: The History and Future of Transness in Cinema, critics...