The Criterion Collection
Essays
Jul 5, 2022 — Bong Joon Ho’s fantasy blockbuster explores the follies of global capitalism through the lens of the meat industry—and a young girl and her “superpig” best friend.
The Daily
Jun 29, 2022 — A fresh round on biographies and studies of filmmakers and actors as well as a few novel ideas and critical collections.
On the Channel
Jun 29, 2022 — This month on the Channel brings a collection of boxing movies, a survey of film noir steeped in expressionistic color, and a tribute to the classic Hollywood director Henry King.
Jun 28, 2022 — Boasting a larger-than-life Divine, John Waters’ underground classic finds the sublime in the ridiculous.
Jun 28, 2022 — Part rom-com, part existential meditation, the final installment in Joachim Trier’s Oslo trilogy dignifies the fluctuating desires of a woman on the cusp of thirty.
The Daily
Jun 23, 2022 — The showcase of independent films from around the world returns as an in-person event for the first time since 2019.
Production Notes
Jun 21, 2022 — The producer of our edition of the masterful 1987 melodrama tells the stories of some of director Stanley Kwan’s legendary collaborators, including superstars Anita Mui and Leslie Cheung.
Jun 21, 2022 — “The best actors in the world,” he once said, “are those who feel the most and show the least.”
Jun 8, 2022 — The Indian director, actor, and producer’s early death has enshrined him as a tragic icon in public memory. But there is more to his art than misery.
Jun 1, 2022 — With his love of dissonance and bold use of dramatic motifs, the Hungarian-born composer Miklós Rózsa popularized a whole new style of film music.