The Criterion Collection
May 26, 2020 — Richard Ford’s 1990 novel Wildlife begins with this arresting sentence: “In the fall of 1960, when I was sixteen and my father was for a time not working, my mother met a man named Warren Miller and fell in love...
Features
May 2, 2019 — “To begin with, Gone with the Wind is a woman’s story . . . Mr. Cukor, one of Hollywood’s finest directors and the man who has directed Hepburn and Garbo in some of their best, is known as a woman’s...
Jul 22, 2013 — Gabriel Axel’s exquisite adaptation of Isak Dinesen’s short tale of grace through art provides spiritual and sensual sustenance.
Sep 23, 2014 — In director Jack Clayton’s hands, Henry James’s tale of the sinister and sensual things hiding behind Victorian decorum becomes one of the screen’s great works of terror.
The Daily
Jun 10, 2026 — Early reviews of his thirty-fifth feature may be all over the place, but appreciation of the man himself is universal.
The Daily
Feb 2, 2024 — Film Forum’s series of thirty films centering on women loving women is “eccentric, enduring, and genre-encompassing.”
Oct 18, 2022 — Drawing from Latin American folklore, Jayro Bustamente conjures an intimate, supernatural tale that engages with Guatemala’s history of violence.
The Daily
Oct 6, 2017 — Back when Projections was still called “Views from the Avant-Garde,” the New York Film Festival described its program as a “yearly touchstone for experimental film.” Now neither of those terms—“avant-garde” and “experimental”—are quite broad enough to encompass all that goes...
Feb 18, 2016 — The Kid marked Charlie Chaplin’s wholehearted embrace of sentiment, which he intertwined with the slapstick he was known for to enrich his Tramp character and carry the narrative of feature-length directorial debut.
Criterion Designs
Jan 7, 2019 — The artist behind our new cover for Hitchcock’s spy-noir masterwork remembers falling in love with the film as a child and walks through the process of illustrating one of its most iconic scenes.