The Class

May 20, 2024 — Every rave and every pan salutes Coppola’s determination to realize his grandest vision.

May 11, 2023 — Starting this fall, Criterion will proudly join Janus Films in presenting Janus Contemporaries, a new line of home-video editions of first-run releases, fresh from theaters, following their streaming premieres on the Criterion Channel.

Sep 28, 2022 — A high point of early Argentine cinema, Mario Soffici’s 1939 film about the plight of plantation workers is an unflinching examination of exploitation and violence.

Feb 22, 2022 — The fourth feature by the Hong Kong filmmaker Ann Hui devastatingly lays bare the conditions that spurred hundreds of thousands of Vietnamese to flee after the fall of Saigon.

May 18, 2021 — The 1892 Chinese novel The Sing-Song Girls of Shanghai opens with a prologue in which the author, Han Ziyun, writes from his own perspective, providing a gateway into the book by describing a dream he has had. Referring to himself...

Nov 20, 2020 — Garrett Bradley, David Fincher, Hayao Miyazaki, George Clooney, Jim Jarmusch, and RZA bring us this week’s highlights.

Jun 15, 2020 — The eye contact, the exhilarating anxiety of sharing private tastes, the power of knowing what you want and summoning up the courage to ask for it: in case you can’t tell, I’m talking about the once-upon-a-time experience of renting a...

Apr 2, 2020 — Artforum and Bookforum join Filmmaker and Film Quarterly in offering free access to their latest issues.

Jul 23, 2019 — The near-future totalitarian England of Michael Radford’s 1984, a powerful adaptation of George Orwell’s classic novel, is a very dark place indeed. The film’s brilliant production design and color-drained photography emphasize the grubby squalor and soul-crushing uniformity of the surveillance...

Jul 16, 2019 — Armando Iannucci will open London, and Locarno and Venice are preparing their 2019 lineups