Man of the Story

Jan 15, 2021 — Songbook 1.There is music in Hirokazu Kore-eda’s Still Walking that arises from the home itself. It sounds like eddies of conversation around a kitchen counter, as persistent as the crackle of frying oil. It sounds like the patter, so similar...

Jul 28, 2020 — The films of Japanese director Hirokazu Kore-eda are graceful meditations on memory and the inextricable connections that bind our lives together. Whether transporting us to a way station in the afterlife or into a household in crisis, his character studies...

Jun 18, 2020 — When Jamie Babbit’s But I’m a Cheerleader made its theatrical premiere in July 2000, it was entering a queer political landscape vastly different from the one we live in today. Over the last two decades, we’ve witnessed the rise of LGBTQ...

Apr 14, 2020 — Whether or not you believe it is the greatest year of all for the Hollywood studio system, the wonder of 1939 is the sheer depth of its bench. On a ten-movie best-picture ballot, the Oscars found no room to nominate...

Nov 11, 2019 — Dark Passages I. Vacancy All the rooms are the same. There is always a skeletal bedstead with an uninviting mattress; a scuffed chest of drawers; a grimy little sink; a naked light bulb; bare walls on which the memory of...

Aug 28, 2019 — 1. Before he became a filmmaker, D. A. Pennebaker’s ambition was to play stride piano like Fats Waller. “What changed your mind?” I asked him. “Well,” Penny replied, “after I saw Fats play . . . ” Penny would have...

Jun 12, 2019 — One Scene One of the most talked-about movies at this year’s Sundance, The Last Black Man in San Francisco is both a rhapsodic portrait of first-time director Joe Talbot’s native city and a mournful look at how gentrification, income inequality,...

Apr 19, 2019 — Performances No other comedian could milk a pause for a laugh quite the way Jack Benny could on his radio program, which lasted from 1932 to 1955 and turned him into an American institution. (He also did a TV show...

Feb 2, 2017 — Repertory Picks This Friday, the Dairy Arts Center in Boulder, Colorado, will screen Hal Ashby’s 1971 sophomore feature Harold and Maude. Made just one year after Ashby transitioned from editing to directing with his Brooklyn-set gentrification drama The Landlord, the...

Nov 4, 2014 — In cinema history, there truly is no gag like a Tati gag.