The Criterion Collection
Jun 12, 2019 — One Scene One of the most talked-about movies at this year’s Sundance, The Last Black Man in San Francisco is both a rhapsodic portrait of first-time director Joe Talbot’s native city and a mournful look at how gentrification, income inequality,...
The Daily
May 30, 2019 — The star of classics directed by Kurosawa, Mizoguchi, Kinugasa, Ozu, Ichikawa, and Teshigahara was ninety-five.
May 24, 2019 — Elia Suleiman, who returned to Cannes this year with his latest film, talks with us about comedy as a form of political resistance.
May 16, 2019 — All week long, writers have been reminding us that there was more to Doris Day than sweet sunshine.
Interviews
May 15, 2019 — It may have taken nearly two decades after graduating from England’s National Film and Television School for Joanna Hogg to emerge as a feature filmmaker, but it was worth the wait. After making her thesis film, Caprice (starring a then-unknown...
Apr 30, 2019 — With these twin monuments of Hong Kong action filmmaking, Jackie Chan catapulted to international stardom, perfecting a unique blend of athleticism and populism.
Apr 26, 2019 — A politically engaged actor who refused to be commodified, this French icon showcased her piercing intelligence throughout four decades of unforgettable performances.
The Daily
Apr 24, 2019 — American cinema has lost one of its most visionary artists.
Apr 24, 2019 — When It Rains Charles Burnett has long been recognized by historians as one of the greatest American film directors, and he’s won numerous important awards, including an honorary Oscar in 2017. Nevertheless, he is still relatively unknown beyond the world...
Apr 16, 2019 — Most proper New Waves of the 1960s came equipped with a rough balance of assimilable superstars and genuine radicals, and for the Czechoslovaks, the guerrilla flank was led by Jan Němec. Jiří Menzel was adored globally for his wry humor,...