The Criterion Collection
Aug 21, 2006 — A key Gen-X comedy about postgraduate angst, Noah Baumbach’s debut feature is an uproarious union of wit and trauma.
Essays
Feb 23, 2004 — Laurence Olivier’s last entry in his trilogy of Shakespeare films is the crowning glory of the British studio system and the end of the great cycle of British films aimed at international audiences.
Essays
Feb 11, 2002 — The phenomenon of old age wherein childhood memories return with ever-increasing clarity while great stretches of the prime of life vanish into obscurity is the nub of Ingmar Bergman’s drama.
Essays
May 12, 2001 — Bertrand Tavernier’s adaptation is the story of a saintly madman in a world where the concepts of good and evil have no meaning.
Essays
Nov 15, 1994 — Andrzej Wajda’s third full-length film established the director as a leader of the new Polish cinema.
The Daily
Oct 22, 2026 — This month’s roundup spotlights new titles on Murnau, Welles, Capra, Zulawski, and Richard Fleischer as well as forthcoming books from Matías Piñeiro and Tilda Swinton.
The Daily
Oct 6, 2026 — This week is packed with festival openings, special screenings, series, and retrospectives.
The Daily
Oct 2, 2026 — As we mark the Andrzej Wajda centennial, Paweł Pawlikowski looks back on the twentieth century from another angle. Plus: Rohmer, Burnett, Fosse, and Wiene.
The Daily
Sep 15, 2026 — The late producer’s collaborators include Bertolucci, Cronenberg, Oshima, Skolimowski, Roeg, and Takashi Miike.