To Be or Not to Be

Oct 24, 2023 — A beautiful, intense woman stands in a large, dusky room, lit only by an oil lamp, her eyes wide in concern and something not far from panic, her eyebrows tremulously registering every thought and fear that passes through her mind,...

Oct 19, 2023 — The UK celebrates Powell and Pressburger, two writers tune into Robert Bresson, and The Exorcist turns fifty.

Oct 17, 2023 — I. “Morbid Cinema” On October 10, 1962, there appeared a brief paragraph from the Associated Press: “Tod Browning, eighty-two, who directed scores of movies between 1917 and 1939, is dead. He succumbed Saturday after an illness, and no funeral plans...

Oct 13, 2023 — Look who’s talking: Martin Scorsese, Michael Mann, Nathaniel Dorsky, Ryusuke Hamaguchi, Gregg Araki . . .

Oct 11, 2023 — New York and London jointly launch a new restoration of the first feature directed by a Black British filmmaker.

Oct 11, 2023 — The shock of Davies’s passing is compounded by the sinking realization that cinema has lost one of its most singular artists.

Sep 29, 2023 — The week brings conversations with Hal Hartley, Todd Haynes, Christine Vachon, Pedro Costa, Wang Bing, and Rita Azevedo Gomes.

Sep 29, 2023 — The newly reconstructed and restored seven-hour version of the 1923 melodrama screens on Saturday and again next week in New York.

Sep 27, 2023 — After winning a handful of top awards in Beijing, the novelist-turned-filmmaker’s thirteenth fictional feature arrives in New York.

Sep 26, 2023 — Brett Morgen’s portrait of David Bowie is a free-associative hybrid of pop history and imaginative extravaganza—impressionistic, eclectically allusive, and, above all, immersive.