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Second Life

Jun 16, 2026 The debut in 1998 of Lisa Cholodenko’s first feature film, High Art, was a triumph. The intense mastery of its form and the freshness of its narrative created waves of excitement—from the Sundance Film Festival, where it won the Waldo...

Jun 11, 2026 An adaptation of Night and Day follows two new reimaginings of Mrs. Dalloway.

Jun 5, 2026 Despite what is often assumed about the history of trans representation in cinema, it is not a simple story of marginalization and stigmatization. In their 2024 book Corpses, Fools, and Monsters: The History and Future of Transness in Cinema, critics...

Jun 2, 2026 Gorin will discuss films he’s selected as well as his own work and his collaborations with Jean-Luc Godard.

Jun 1, 2026 The world’s most desolate film festival expands to nearly a hundred theaters in seventy-three cities.

May 28, 2026 Film at Lincoln Center and Cinecittà present two series back to back, Open Roads: New Italian Cinema and History, Italian Style.

May 28, 2026 In his delightful and engrossing new memoir Flashbacks: A Passion for Film, Peter Cowie brings to vivid life the era we have come to know as the golden age of art-house cinema, an astonishing period in the growth and distribution...

May 27, 2026 When Joachim Trier made his debut in 2006 with the film Reprise, I felt as if a veil had been lifted. There was nothing wrong with Norwegian cinema before Trier’s arrival, but it always seemed to be about someone else,...

May 26, 2026 Top prizes go to films by Cristian Mungiu, Andrey Zvyagintsev, Valeska Grisebach, Paweł Pawlikowski, and Los Javis.

May 19, 2026 New films by Ryusuke Hamaguchi and James Gray are riding high on the Cannes critics’ grids.

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