May 9, 2019 Studio Visits You’d be hard-pressed to find someone more passionate about movie posters, not to mention gifted at making them, than Nashville-based artist and musician Sam Smith. A lifelong cinephile and devotee of design history—today he even cohosts a podcast...

May 2, 2019 “To begin with, Gone with the Wind is a woman’s story . . . Mr. Cukor, one of Hollywood’s finest directors and the man who has directed Hepburn and Garbo in some of their best, is known as a woman’s...

Defogging Wanda

Tech Corner

Mar 25, 2019 In early 2007 the UCLA Film & Television Archive received a call from Hollywood Film and Video announcing that the lab was, sadly, closing—and clearing its vaults in two days’ time. Anything left was doomed to the dumpster. The next...

Feb 28, 2019 The spring 2019 issues are out—and Jonathan Rosenbaum is rolling out a new two-volume collection.

Jan 24, 2019 Avant-garde cinema’s greatest champion—and one of its most accomplished practitioners—has died at ninety-six.

Jan 7, 2019 The artist behind our new cover for Hitchcock’s spy-noir masterwork remembers falling in love with the film as a child and walks through the process of illustrating one of its most iconic scenes.

Jan 3, 2019 Repertory Picks Tomorrow, as part of its ongoing After Midnite series, the Coolidge Corner Theatre in Brookline, Massachusetts, will spool up a 35 mm print of Akira Kurosawa’s Yojimbo for a late-night screening. With this 1961 classic—made after he had...

Nov 28, 2018 Made on a shoestring budget, Edgar G. Ulmer’s 1945 Detour is a landmark of film noir, a hardboiled thriller that represents the genre at its seediest and most fatalistic. But despite amassing critical acclaim and a significant cult following over the decades,...

Filmmakers’ Arts

The Daily

Nov 7, 2018 Multimedia exhibitions of work by Andy Warhol, Chris Marker, Pedro Costa, and others are now on view around the world.

Nov 1, 2018 The UCLA Film & Television Archive in Los Angeles is presenting new restorations of B movies made on Poverty Row.

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