The Criterion Collection
Tech Corner
Mar 25, 2019 — In early 2007 the UCLA Film & Television Archive received a call from Hollywood Film and Video announcing that the lab was, sadly, closing—and clearing its vaults in two days’ time. Anything left was doomed to the dumpster. The next...
The Daily
Mar 14, 2019 — As a new collection of Tarkovsky’s writing is released, the Close-Up Film Centre presents presents side-by-side series of work by the two friends.
The Daily
Mar 12, 2019 — The first few days have also seen premieres of new films by Lynn Shelton, Jonathan Levine, and Olivia Wilde.
Feb 5, 2019 — Shame (1968) is one of the great neglected films from Ingmar Bergman’s midcareer creative explosion. It builds on and surpasses the two Bergman films that immediately preceded it: the avant-garde milestone Persona (1966) and the surreal shocker Hour of the...
The Daily
Feb 4, 2019 — All four of this year’s top prizewinners have been directed or codirected by women.
The Daily
Jan 14, 2019 — MoMA’s festival of film preservation features Lubitsch, Akerman, Murnau, Lupino, and an eclectic array of rediscoveries.
Criterion Designs
Jan 7, 2019 — The artist behind our new cover for Hitchcock’s spy-noir masterwork remembers falling in love with the film as a child and walks through the process of illustrating one of its most iconic scenes.
Features
Jan 4, 2019 — More than thirty years ago, a friend of Janus Films—the producer of I Was a Teenage Zombie—who knew of my interest in space exploration called me to say he had seen excerpts of a really cool film at DuArt, a lab...
Dec 17, 2018 — Secrets from the past are always surfacing in melodramas, altering or illuminating the landscape of the present. So it seems fitting that director John M. Stahl, one of Hollywood’s great masters of melodrama, had a past that is only now...
Essays
Nov 26, 2018 — The legendary filmmaker possessed the greatest speaking voice in American cinema, and The Magnificent Ambersons represents the summit of his work as a vocal actor.