Three Loves

Jun 22, 2023 — Film at Lincoln Center presents a twelve-film retrospective and a three-week run of The Mother and the Whore (1973).

Aug 31, 2022 — The veteran designer talks about her wide-ranging, three-decade career, which has included collaborations with rock icons like Nirvana and filmmakers like Sofia Coppola and David Lynch.

Jun 16, 2016 — Repertory PicksThis week, Miloš Forman’s 1965 masterwork Loves of a Blonde will close out the series Female Sexuality in European Cinema at the Alamo Drafthouse Ritz theater in Austin, Texas. This three-act Czech New Wave classic offers a tender portrait...

Nov 24, 2015 — In Dont Look Back, legendary documentary filmmaker D. A. Pennebaker employs his revolutionary new camera and Direct Cinema style to capture the multiple essences and contradictions of a young Bob Dylan making his way across England in 1965.

Sep 22, 2009 — Something very heavy happened at Monterey last weekend. Those very odd three days began in Friday’s cool gray air as the first of the crowd began to circle through the booths of the fairground. The only word for it then...

Apr 27, 2009 — The idea of making a film about Japan’s most famous sex crime, with a decent budget and in conditions of complete freedom, reawakened Nagisa Oshima’s desire to direct—and the prospect of circumventing Japanese censorship must have made the decision even...

Jul 11, 2005 — The trickily variant sensibilities of the three daydreams and their long duration are what mark Unfaithfully Yours as a stray modernist object.

Jul 21, 2026 — At the beginning of Cruel Story of Youth (1960), the title splashes across the screen in fiery red. Each of the three Japanese words that appear offers a key to understanding director Nagisa Oshima’s breakthrough film and the energies that...

Jul 14, 2026 — News of his “sudden and unexpected” passing has drawn a flood of appreciation and genuine affection.

Jun 3, 2026 — This year’s lineup features lots of music, another De Niro and Scorsese reunion, and an AI-generated feature.