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Somewhere. .

Jun 16, 2026 The debut in 1998 of Lisa Cholodenko’s first feature film, High Art, was a triumph. The intense mastery of its form and the freshness of its narrative created waves of excitement—from the Sundance Film Festival, where it won the Waldo...

Jun 5, 2026 A series of films Malle made in the U.S. opens with an excellent documentary on the director’s life and work.

May 19, 2026 “Last night, I was in the Kingdom of Shadows,” proclaimed Maxim Gorky, writing about an 1896 projection of films by Auguste and Louis Lumière in the Russian city of Nizhny Novgorod. “Suddenly a strange flicker passes through the screen and...

May 12, 2026 Sorting through critics’ most-anticipated titles, catching up with interviews and profiles, and more.

May 8, 2026 Jean Rouch said they created “a new cinematographic language,” and a retrospective touring North America begins in Toronto.

Apr 14, 2026 Consider, for a moment, the jewel thief. No, not like the gang that, at the time of this writing, recently robbed the Louvre in Paris, France. Think rather of one you might find in Paris, Paramount. After all, as director...

The Lubitsch Touch

The Daily

Apr 6, 2026 New York’s Film Forum screens thirteen features by the master of urbane comedy.

Mar 24, 2026 Martin Scorsese’s powerful drama, which recounts a series of killings that devastated the Osage Nation in 1920s Oklahoma, turns the historical epic into a Möbius strip that blurs audience, film, and director.

Mar 24, 2026 In this true-crime epic, Martin Scorsese combines his career-long exploration of amoral gangsterism with a sobering meditation on what it means to live on American soil.

True/False 2026

The Daily

Mar 4, 2026 Twenty-one world premieres, several critical favorites from Sundance, and the True Vision Award for Ross McElwee.

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