Feb 27, 2026 — Tony Kushner revisits Munich, a Satyajit Ray restoration hits theaters, and the new Film Quarterly is out and free.

Jan 22, 2026 — This visually stunning masterpiece from Kazakh New Wave iconoclast Ardak Amirkulov is one of the few films that looks evil in the eye without flinching.

Mar 25, 2025 — Set in a grimy, unglamorous version of Los Angeles, Arthur Penn’s Watergate-era neonoir tells the story of an honorable private eye acutely conscious of living in an era that is the mere shadow of a nobler past.

Feb 21, 2025 — This week we’re revisiting work by Zeinabu irene Davis, Chantal Akerman, Claude Lanzmann, Wang Bing, and Joan Micklin Silver.

Jan 22, 2025 — New films by Richard Linklater, Bong Joon Ho, Radu Jude, and Lucile Hadžihalilović are set for the seventy-fifth edition.

Jul 3, 2024 — Pop Shakespeare, 100 years of Disney, and conversations with Isaac Julien and Steven Soderbergh are among this week’s highlights.

January Books

The Daily

Jan 17, 2024 — Steven Soderbergh contemplates writing his first novel, while Keanu Reeves already has; plus notes on Barbara Stanwyck, noir, and more.

Aug 25, 2023 — This week brings restorations of work by Kira Muratova, a personal story from Werner Herzog, and conversations with Kim Morgan and Dustin Guy Defa.

Jul 11, 2022 — Three Iranian filmmakers are arrested while another wins the top award in Karlovy Vary.

Nov 23, 2021 — The End In the end, it should not have come as any kind of surprise. When Alfred Hitchcock’s Vertigo dethroned Orson Welles’s Citizen Kane (1941) as the greatest film of all time in Sight & Sound magazine’s international poll of...

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