Mar 4, 2014 — The great documentarian Claude Lanzmann’s new movie, made from footage he didn’t use in Shoah, provides a fascinating glipse at the way he began that monumental project.

Jul 7, 2018 — The writer and director lived a full and robust life both before and after his monumental Shoah.

The writer-director talks about the Yasujiro Ozu classic that inspired his film Little Men, the underrated work of Francesco Rosi, the golden age of repertory cinema in New York City, and a college course in which he studied Shoah for...

Stuart Liebman is an emeritus professor in the Film Studies, Art History, and Theater programs at the CUNY Graduate Center. Claude Lanzmann’s Shoah: Key Essays, which he edited, was published by Oxford University Press in 2007.

Jun 25, 2013 — For our new release of Shoah, director Claude Lanzmann sat down with critic Serge Toubiana to talk about his philosophy and approach in making the formidable investigation into the Nazi extermination of Jews during World War II. One of the...

Jun 25, 2013 — How Claude Lanzmann made a thoughtful film about the unthinkable and unfilmable.

May 3, 2016 — Last night, HBO premiered British filmmaker Adam Benzine’s Oscar-nominated documentary Claude Lanzmann: Spectres of the Shoah. In interviews and dug-up footage, Benzine’s film traces the twelve-year production of Shoah, Lanzmann’s groundbreaking nine-hour 1985 Holocaust documentary. Shoah, which eschewed archival images...

Apr 20, 2016 — In an interview published this week at the A. V. Club, writer Adam Nayman sits down with actor Nina Hoss, the star of Christian Petzold’s haunting 2014 film Phoenix, which we’re releasing on disc next week. The film is a...

Mar 29, 2016 — Today, we’re celebrating the release on Blu-ray and DVD of Les Blank’s legendary Leon Russell music documentary A Poem Is a Naked Person. And while we’re on the topic of fascinating nonfiction filmmaking, we’re also taking a look at a...

Oct 31, 2016 — In her latest column, critic Imogen Sara Smith explores landmark moments in the intersection of noir and the western, including Marlon Brando’s One-Eyed Jacks.