The Criterion Collection
The artist and codirector of Agnès Varda’s documentary Faces Places talks about his intimate collaboration with the late iconic filmmaker, praises world-expanding masterpieces like La haine and Roma, and shouts out his friend Louis Garrel.
The actor and director returns to the Closet, where he clarifies his feelings on Salò, or The 120 Days of Sodom; shares how much he learned about filmmaking from supplemental features on the Criterion editions of Barry Lyndon and Roma;...
Jul 31, 2014 — A celebrated American photographer, Mary Ellen Mark has traveled the world as a photojournalist since the 1960s, published photographs in such magazines as Life, Rolling Stone, the New Yorker, and Vanity Fair, and taken pictures on the sets of over...
Roger Durling has been the executive director of the Santa Barbara International Film Festival for twenty-three years. He has been teaching film studies at Santa Barbara City College for just as long. He helped edit a book on Alfonso Cuarón’s...
Jun 27, 2023 — With a divided self that reflected the fissures in his country in the wake of World War II, the most courageous and dangerous Italian artist of his generation transcended dogma and resisted affiliations.
Short Takes
Mar 5, 2018 — On the anniversary of his birth, we look back on the films of Pier Paolo Pasolini, one of the most radical figures of Italian cinema.
In Theaters
Dec 1, 2016 — Repertory PicksSince September, the Berkeley Art Museum & Pacific Film Archive has been honoring the great Italian actor Anna Magnani with a career-spanning retrospective of her work. This Saturday, the series continues with Pier Paolo Pasolini’s 1962 sophomore feature, Mamma...
Short Takes
Nov 1, 2015 — Forty years ago today, we lost Pier Paolo Pasolini—the celebrated Italian filmmaker, actor, poet, novelist, journalist, playwright, painter, and public intellectual. On November 2, 1975, Pasolini was found brutally murdered on a beach in Ostia, Italy, just weeks before the...
Jun 21, 2004 — Indefatigably productive, ingenious, exasperating, narcissistically didactic, slyly self-promoting, abject, generous, exploitative, devoted to the wretched of the earth with honest fervor and deluded romanticism: Pier Paolo Pasolini can easily exhaust the adjective-prone, as man and artist, his person and his...
The Daily
May 22, 2025 — The jury honors tales of haunted appliances, an exiled community, and a life-changing diagnosis.