The Criterion Collection
Essays
Feb 11, 2020 — The universal success of Alfonso Cuarón’s Roma is undoubtedly due to a skill that the director has demonstrated over the course of several decades and many enduring pieces of work. But it is also a sign of our times. What...
Feb 12, 2020 — If you were born in Mexico City in the second half of the twentieth century, you grew up feeling that everything could come tumbling down in a matter of minutes. You grew up amid the reverberation of past earthquakes—all their...
Visual Analysis
Feb 11, 2020 — The most deeply personal film of Alfonso Cuarón’s career, Roma imbues the director’s own childhood memories with the epic sweep of history. But for all the technical virtuosity and monumental scale on display in its set pieces, the movie—which joins...
Essays
Dec 14, 2016 — Pseudodocumentary collides with pure fantasy in Federico Fellini’s intricately layered portrait of his adopted home.
Sneak Peeks
Dec 12, 2016 — Federico Fellini’s love letter to his home city, Roma, is a hallucinatory blend of everyday observations and extravagant spectacle. Interweaving memories of Fellini’s young adulthood with vibrant images of contemporary Rome, this semi-autobiographical journey through one of the world’s most...
The Daily
Jun 10, 2019 — The new issue focuses on the impact of Alfonso Cuarón’s Roma, women’s film criticism, and Hollywood’s international productions.
The Daily
Nov 29, 2018 — First Reformed, Eighth Grade, Roma, and The Rider emerge as early favorites.
The Daily
Jul 19, 2018 — Damien Chazelle’s First Man will open Venice, and Alfonso Cuarón’s Roma will be the NYFF’s Centerpiece presentation.
The actor and producer praises the groundbreaking work of martial-arts legends Bruce Lee and Jackie Chan, shares her love for Alfonso Cuarón’s Roma, and remembers the thrill of seeing The Grifters for the first time.
The director of Caught by the Tides shares his affection for Alfonso Cuarón’s Roma, describes City Lights as being “full of cinematic feeling,” and selects favorites by Edward Yang, Robert Bresson, and Yasujiro Ozu.