The Criterion Collection
Willow Catelyn Maclay is a film essayist and queer historian. She is coauthor of Corpses, Fools and Monsters: The History and Future of Transness in Cinema and has written for numerous outlets including the Village Voice, Reverse Shot, and Film...
David Schwartz, an independent curator and writer, was chief curator at Museum of the Moving Image for more than thirty years, and has programmed for the Museum of Modern Art, Film Forum, Metrograph, and many other venues. He writes for...
Vadim Rizov is the former director of editorial operations at Filmmaker magazine. His work has appeared in publications including Reverse Shot, Sight and Sound, Vanity Fair, and the Village Voice.
McKenzie Wark is a professor of culture and media at the New School. She is the author of, among other things, Reverse Cowgirl (Semiotext(e)) and Raving (Duke University Press). Life Story, a short film she made in conversation with Jessica...
Vikram Murthi is a contributing writer to the Nation and the editor of Downtime magazine. His freelance film writing has appeared in Filmmaker, Reverse Shot, Vulture, and sundry other publications.
Robert Daniels is associate editor at RogerEbert.com and has written for the New York Times, the Los Angeles Times, Reverse Shot, and Screen Daily. He lives in Chicago.
Christina Newland is the lead film critic at the i newspaper and a contributing editor at Empire. She has written on film, pop culture, and boxing for Vice, Sight and Sound, the BBC, MUBI’s Notebook, and Reverse Shot, among other...
Mark Asch is the author of the New York Movies volume of the Close-Ups series of film books and a contributor to Film Comment, Sight and Sound, Reverse Shot, Filmmaker, Screen Slate, and other publications.
Benjamin Mercer is a senior editor at the Criterion Collection. He has written for the A.V. Club, the Village Voice, Reverse Shot, and the Henry James Review, among other publications.
Shonni Enelow is the author of Joanna Hogg (Contemporary Film Directors series, University of Illinois Press, 2024) and Method Acting and Its Discontents (Northwestern, 2015) and the coauthor of A Discourse on Method (53rd State, 2020). Her film writing has...