Sep 20, 2018 — One of the most respected film publications celebrates its anniversary with a forward-looking symposium.

May 26, 2017 — Let’s take a quick break from the Cannes Film Festival to make note of a bit of reading we might take into the holiday weekend. There’ll be much more in a roundup to come, but for now, this entry will...

Jul 5, 2022 — A Reverse Shot roundtable and the new issue of Cinema Scope delve into Crimes of the Future.

Oct 29, 2021 — A lost Iranian melodrama returns, Reverse Shot and Caligari tell us scary stories, and Robert Mitchum is the star of Noirvember.

Jan 15, 2021 — This week we’re reading Greg Tate on MLK/FBI, Ian Christie on the decadence of early British cinema, and Reverse Shot’s 2020 top ten.

Oct 15, 2050 — Voice-over narration has existed since the beginnings of cinema and has been an integral part of some of the great masterworks of narrative film, from The Magnificent Ambersons to Double Indemnity to Jules and Jim to Taxi Driver. It spans...

Willow Catelyn Maclay is a film essayist and queer historian. She is coauthor of Corpses, Fools and Monsters: The History and Future of Transness in Cinema and has written for numerous outlets including the Village Voice, Reverse Shot, and Film...

David Schwartz, an independent curator and writer, was chief curator at Museum of the Moving Image for more than thirty years, and has programmed for the Museum of Modern Art, Film Forum, Metrograph, and many other venues. He writes for...

Vadim Rizov is the former director of editorial operations at Filmmaker magazine. His work has appeared in publications including Reverse Shot, Sight and Sound, Vanity Fair, and the Village Voice.

McKenzie Wark is a professor of culture and media at the New School. She is the author of, among other things, Reverse Cowgirl (Semiotext(e)) and Raving (Duke University Press). Life Story, a short film she made in conversation with Jessica...