The Criterion Collection
Jun 30, 2026 — The distinction between social and political cinema is not always clear. The former category, which focuses on realistic portrayals of the everyday lives and struggles of the working class, generally includes the films of Italian neorealism and British social realism,...
The Daily
Jun 1, 2026 — The world’s most desolate film festival expands to nearly a hundred theaters in seventy-three cities.
The Daily
May 29, 2026 — We’re revisiting work by Tarkovsky, Pelechian, and Portabella as well as two films with the word Dead in the title.
May 26, 2026 — Women’s hands dance over typewriter keys. The percussive racket they make, like the tapping of an unruly chorus line, takes the place of music during the opening credits of The Office Wife (1930), which appear over a montage of female...
The Daily
May 8, 2026 — Film Comment relaunches, Richard Kelly writes, Lynne Ramsay prepares, and in 1976, Roberto Rossellini talked.
The Daily
Mar 25, 2026 — The Harvard Film Archive celebrates the first decade of work by a key figure of the Japanese New Wave.
The Daily
Mar 13, 2026 — SXSW opens, Another Gaze returns, and Juliette Binoche is on tour with her directorial debut.
The Daily
Mar 12, 2026 — A selection of fine writing on this year’s Academy Award nominees.
On the Channel
Feb 18, 2026 — Among this month’s highlights are a celebration of VHS and how it revolutionized film culture, a spotlight on the Romanian New Wave, and a retrospective of pioneering queer filmmaker Monika Treut.
The Daily
Feb 3, 2026 — This year’s winners tell stories of trauma and triumph.