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All About Me

Feb 4, 2019 Performances The first movie that Nicolas Roeg and Theresa Russell made together, Bad Timing (1980), was denounced by its distributor, the Rank Organisation, as a “sick film made by sick people for sick people,” which may sound to some like...

Jan 30, 2019 An exhibition, a film series, and of course, If Beale Street Could Talk are markers of heightened interest in the writer, activist, and cinephile.

Jan 24, 2019 Avant-garde cinema’s greatest champion—and one of its most accomplished practitioners—has died at ninety-six.

Jan 17, 2019 SXSW presents a program of 102 features and episodics, and the Berlinale’s competition and Special lineups are now complete.

Jan 15, 2019 In Notorious (1946), love assumes different shapes and presentations—as a wound, a weapon, a promise, a curse. For Ingrid Bergman as the lusciously complex and raw-nerved Alicia Huberman, it’s all these things. As the film begins, Alicia is on the...

Jan 8, 2019 A few lingering observations on the films of 2018 from Slate’s Movie Club, the New York Times, and more.

Really, HFPA?

The Daily

Jan 7, 2019 Critics are fine with the actors who’ve won Golden Globes this year—as for the films they appear in, not so much.

Jan 7, 2019 The artist behind our new cover for Hitchcock’s spy-noir masterwork remembers falling in love with the film as a child and walks through the process of illustrating one of its most iconic scenes.

Jan 4, 2019 The new year brings us new issues of Cinema Scope, Film Comment, the DGA Quarterly, and World Records.

Dec 28, 2018 Ulysses S. Jenkins’s Two-Zone Transfer By this time in December, the usual onslaught of critics’ polls and nomination lists has given movie lovers a feeling of consensus about what was unmissable over the past twelve months. We were curious about...

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