Akeelah and the Bee

Amanda Petrusich is a staff writer at the New Yorker and the author of three books about music. She is the recipient of a Guggenheim Fellowship in nonfiction, and her music writing has been nominated for a Grammy Award. She...

Lou Lumenick is the chief film critic of the New York Post. He has also written for Moving Image Source and been a guest programmer for Turner Classic Movies.

Peter von Bagh is a Finnish film historian, author, television and radio director and producer, book publisher, and film director. From 1970 to 1985, he was curator and program director of the Finnish Film Archive. Since 1971, he has been...

Fred Camper is an artist who makes digital prints, mostly photo-based, and has for many decades been a writer and lecturer on film and art. He lives in Chicago, where he teaches at Columbia College Chicago and the School of...

Nov 27, 2018 — With The Magnificent Ambersons, Orson Welles created a model of period filmmaking, lightly deploying historical signifiers while focusing on the haunting power of his actors’ faces.

Nov 26, 2018 — The legendary filmmaker possessed the greatest speaking voice in American cinema, and The Magnificent Ambersons represents the summit of his work as a vocal actor.

Aug 5, 2018 — The writer-director of Monsoon Wedding and Salaam Bombay! takes us through an eclectic mix of favorite films, including works by Jane Campion, Lars von Trier, and Satyajit Ray.

Jun 10, 2026 — Early reviews of his thirty-fifth feature may be all over the place, but appreciation of the man himself is universal.

May 29, 2026 — We’re revisiting work by Tarkovsky, Pelechian, and Portabella as well as two films with the word Dead in the title.

May 19, 2026 — New films by Ryusuke Hamaguchi and James Gray are riding high on the Cannes critics’ grids.