Life of Pi

Feb 9, 2021 — What does parallax mean? It is a term that English speakers are perpetually learning and always forgetting. Leopold Bloom, in Ulysses: “Parallax. I never exactly understood . . . Par it’s Greek: parallel, parallax.” In the technical sense, the word...

May 31, 2019 — Cannes 2019 Cannes has been top dog in the festival world as long as anyone can remember. It was originally set to launch in 1939 as a conscious political reply by liberal democracy to the success of Mussolini in establishing...

Apr 24, 2019 — When It Rains Charles Burnett has long been recognized by historians as one of the greatest American film directors, and he’s won numerous important awards, including an honorary Oscar in 2017. Nevertheless, he is still relatively unknown beyond the world...

Feb 25, 2019 — Turns out, not everyone loves a winner.

Feb 22, 2019 — If I were to list the criteria for my ideal project, creating a sculpture of Tadzio, the young boy from Death in Venice, for a Criterion release of Luchino Visconti’s adaptation would just about tick off all the boxes. Firstly, I love cinema,...

Jan 9, 2019 — There’s a certain tall-tale quality to Sandi Tan’s life. When the California-based filmmaker was growing up in Singapore in the 1980s and ’90s, movies were a powerful way of experiencing the world beyond her small native country, a place she...

Jan 10, 2018 — Before looking back on the highlights of his 2017 in an entry for Filmmaker, Vadim Rizov has a note or two on attending the recent New York Film Critics Circle awards dinner: The very concept of a critics’ award ceremony...

May 20, 2017 — “The film industry is full of unassuming figures quietly holding everything together without ever demanding a share of the limelight,” begins Gwilym Mumford in the Guardian. Filmworker, a “tender documentary” premiering in the Cannes Classics program, “makes time to profile...

Jun 7, 2015 — Critic Glenn Kenny reveals the connection between two classics: Nicolas Roeg’s film Don’t Look Now and Robert Wyatt’s album Rock Bottom.

Aug 14, 2006 — La collectionneuse is a strong, sensuously lush, deceptively slight film, a Riviera fruit with a bitter, uncompromising aftertaste. In retrospect, it is both classically Rohmeresque and atypical, as befits a film in which the director was still finding his way....