Mar 22, 2022 In Robert Aldrich’s epic disaster film, James Stewart leads a pack of temperamentally different men as they struggle to survive in the face of the unknown—a template that would go on to influence Hollywood blockbusters for decades to come.

Mar 18, 2022 With a collection of her films now available on the Criterion Channel, the director behind Still Processing discusses the radically personal nature of her work.

Mar 1, 2022 A series in London presents films from around the world depicting societies in flux in the 1960s and ’70s.

Feb 16, 2022 Among the notable titles competing this year are new films from Sho Miyake, Gastón Solnicki, and Ashley McKenzie.

Berlin and Beyond

The Daily

Feb 11, 2022 The week wraps with swift thrills from Steven Soderbergh and Dominik Graf and fresh appreciations of Louis Malle and Julien Duvivier.

Jan 27, 2022 We’re celebrating Black History Month with tributes to trailblazing artists like Harry Belafonte, Melvin Van Peebles, and documentary master Stanley Nelson.

Jan 25, 2022 A Victorian-era tale of self-discovery, Jane Campion’s Palme d’Or winner exults in the thrill of female rebellion.

Jan 21, 2022 This week: Sundance at thirty and Ways of Seeing at fifty, plus the Márta Mészáros and Bill Morrison retrospectives and a new Cinema Scope.

Jan 18, 2022 Garrett Bradley warped the clock. In her masterwork Time (2020), the present is the past is the future—which is to say, the lie of linearity gets emptied. Virginia Woolf comes up, when I think of artists who have comparably seized...

Dec 26, 2021 As the holiday season begins to wind down, we’re proud to close out another year in our online magazine by looking back at a few of our favorite essays and interviews.

Current Page
18
of 147

You have no items in your shopping cart