The Criterion Collection
Jun 23, 2003 — The following text is from Michael Töteberg’s presentation of a collection of Fassbinder screenplays (The Merchant of Four Seasons, Ali: Fear Eats the Soul, Fontane Effi Briest), which were published in Germany as Fassbinders Filme, Band 3 (Fassbinder’s Films, Vol....
Dec 9, 2002 — What makes Jean-Luc Godard’s classic so unique a viewing experience today, even more than in 1963, is the way it stimulates an audience’s intelligence as well as its senses.
Jan 28, 1991 — The following review, one of the most renowned in the history of film criticism, appeared in The New Yorker magazine on October 28, 1972. It is reprinted with the permission of the author, Pauline Kael. Bernardo Bertolucci’s Last Tango in...
May 16, 1988 — Prior to the success of Scaramouche in 1952, many in Hollywood felt that the big-budget “swashbuckler” film was no longer a safe investment. While such motion pictures as MGM’s version of The Three Musketeers (directed by George Sidney, 1948) and...
Aug 7, 2026 — The members of this influential leftist collective created a formally adventurous body of work that examined the nation’s tumultuous history through a postcolonial lens.
Aug 4, 2026 — New restorations, festival favorites, and world premieres are heading to Toronto.
The Daily
Jul 30, 2026 — Gene Tierney, Robert Kramer, Chantal Akerman, and Alfred Hitchcock are among the many personalities featured this month.
The Daily
Jul 27, 2026 — Some read Thomson’s new book as an attack on cinema; others argue that they’re missing the point.
The Daily
Jul 24, 2026 — September will bring new films from Lee Chang-dong, Julia Loktev, Barbara Kopple, Mariano Llinás, and Takashi Miike.