Adam and Eve

Oct 20, 2021 — The range this month stretches from the silent era to this weekend’s launch of The Liberated Film Club.

Jul 12, 2021 — Far more than a behind-the-music tribute, Haynes’s first documentary reanimates American culture in the mid-1960s.

Mar 22, 2021 — Here’s what the critics have been saying about the winners of the two main competitions.

Jan 26, 2021 — I stumbled onto Will Niava’s debut short film, Zoo, via a still I saw online: a close-up of a young man’s face under blue neon, framed by cigarette smoke. Curious about this striking image, I tracked down the film and...

Jan 13, 2021 — About a decade ago, I went to see Welcome, or No Trespassing at Spectacle. It’s still the only time I’ve known anyone to project the movie, a 1964 satire of Soviet summer camps that was the debut feature of Elem...

Oct 13, 2020 — I know I need somethingOr someone. From “Cotton Candy on a Rainy Day” (1978), by Nikki Giovanni While the screen is still dark, Gladys Knight’s voice drifts in, in a strong, sincere belt: “How can I / Work out this...

Feb 11, 2020 — How might four history-making Oscars impact movies from here on out?

Sep 25, 2019 — Here’s an overview of how fifteen films in the NYFF’s Main Slate have been faring since premiering in Cannes.

Sep 16, 2019 — Martin Eden tops the Platform competition, while audiences go for Jojo Rabbit.

Sep 13, 2019 — Nicholas Britell’s scores are so finely calibrated to the movies they inhabit that they become inextricable from the images on-screen. Whether it’s the staccato heartbeat of orchestral strings in Barry Jenkins’s Moonlight or the mix of piano motifs and hip-hop...