The Criterion Collection
Essays
Nov 25, 2014 — More than just observational, Les Blank’s sensual documentaries are personal and participatory celebrations of American culture.
Nov 17, 2014 — Claudette Colbert and Clark Gable’s effortless banter is pure magic, but Frank Capra’s comedy is rooted in the reality of the times.
Nov 10, 2014 — Monte Hellman’s existential westerns take Beckett to the desert.
Nov 4, 2014 — In cinema history, there truly is no gag like a Tati gag.
Essays
Oct 30, 2014 — Tati’s witty visual comedy also functioned as satire of a rapidly modernizing postwar France.
Oct 29, 2014 — George Sluizer’s singularly unsettling work of psychological terror is a model of lucid craftsmanship.
Oct 28, 2014 — What you hear is as crucial—and as funny—as what you see in Tati’s films.
Oct 27, 2014 — Though he emerged from established stage and screen comedy traditions, Tati invented a completely new filmic language.
Features
Oct 23, 2014 — The author recalls meeting the filmmaker in a Swedish hotel in the ’70s.
Interviews
Oct 16, 2014 — This past August, on the occasion of Volker Schlöndorff’s being selected for a Silver Medallion award by the Telluride Film Festival, Criterion’s Peter Becker talked with the German filmmaker about his long career. A short version of the conversation was...