The Criterion Collection
Sep 18, 1995 — The global problem of domestic violence destroys families and, in a broader context, locks entire societies into a pathology of pain, distrust, and self-hate. When the basic building blocks of any society—the bonds between mother, father, children—are so grossly violated,...
Feb 10, 2003 — The poet Paul Eluard says that to understand my film version of Beauty and the Beast, you must love your dog more than your car. Ordinarily, I would settle for that. However, with so much being written about the film...
The Daily
Jan 27, 2026 — William and David Greaves’s film captures a gathering of Harlem Renaissance luminaries in 1972.
Nov 23, 2021 — The End In the end, it should not have come as any kind of surprise. When Alfred Hitchcock’s Vertigo dethroned Orson Welles’s Citizen Kane (1941) as the greatest film of all time in Sight & Sound magazine’s international poll of...
Visual Analysis
Aug 12, 2017 — The director of the newly released Columbus takes a close look at how doors open onto philosophical mysteries in the films of French master Robert Bresson.
Oct 23, 2024 — This once-maligned horror film is an unsparing exploration of sexual violence, remarkably centered on a complex, fully realized female protagonist, played courageously by Barbara Hershey.
Features
Mar 25, 2022 — With its rambling Victorian mansions and seedy charms, the once-exclusive area of downtown Los Angeles was film noir’s favorite neighborhood.
On the Channel
Jul 27, 2018 — “We make each other alive; it doesn’t make a difference if it hurts,” Bergman once wrote to Ullmann—and that emotional intensity gave fuel to their extraordinary forty-year collaboration.
Jan 13, 2010 — Joe Mantegna played the lead roles in David Mamet’s House of Games and Homicide. Mantegna and Mamet started out together as actors in Chicago theater in the 1970s, before Mamet turned playwright. Mantegna went on to win a Tony Award...
Once widely misunderstood, this French master of suspense dealt in misanthropic, black-humored tales and is now recognized to be among the greatest directors of the 1950s.