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The Angel

Dec 13, 2010 If you’ve read Faber & Faber’s 1998 publication of the Sweet Smell of Success screenplay, you already know from the book’s afterword that director James Mangold (Girl, Interrupted; Walk the Line) studied under the late filmmaker Alexander Mackendrick in the...

May 18, 2010 Nicolas Roeg’s first solo outing as a director is an astonishing visual poem, by turns violent, innocent, and elegiac.

May 26, 2003 Transcription of a speech given by long-time Derek Jarman collaborator and friend, actress Tilda Swinton

Feb 19, 2001 Michael Powell and Emeric Pressburger’s romance film spins a web of myth and evocative symbolism around its central search for self-discovery.

Pulp Fiction

Essays

Jun 10, 1996 Ever since Quentin Tarantino’s Pulp Fiction created a sensation at [this year’s] Cannes Film Festival, where it won top honors (the Palme d’Or), it has been swathed in the wildest hyperbole. In fact, it has sparked an excitement bound to...

Jun 24, 1990 Some films have become famous simply because they’ve sold a lot of tickets. Others have major studio publicity machines behind them, the better to hog the spotlight. Still others earn their fame the hard way through genuine critical acclaim. But...

Feb 11, 1990 Bob Rafelson’s ultimate road movie is a relaxed masterpiece, a film of laid-back innovation that hasn’t aged one iota since its original release.

Sep 29, 2009 It’s been six years since Jane Campion last directed a feature film, but her earthy, melancholy new Bright Star, about the romance between poet John Keats and his great love, Fanny Brawne, was well worth the wait. And now that...

May 6, 2009 Donald Richie recently came through the United States on his eighty-fifth-birthday tour, and along the way he stopped in Berkeley for a conversation with longtime friend, Telluride codirector, and Mishima producer Tom Luddy. Those who have heard Donald’s Criterion interviews...

Jun 25, 2024 Barry Jenkins’s extraordinarily ambitious limited series distinguishes itself in the tradition of the cinematic slavery epic through its understanding that Black joy and Black trauma cannot be cleaved from each other.

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