The Criterion Collection
Deborah Young is a film critic and journalist living in Rome. She has written extensively about Italian cinema and is the international film editor of the Hollywood Reporter.
Graham Fuller is film editor of the Arts Desk and an editorial associate at Cineaste. He has written about movies for Sight and Sound, Film Comment, Vanity Fair, and the New York Times. He has also contributed essays to the...
James Quandt is a frequent contributor to Artforum and has published several articles in the New York Review of Books and essays in various anthologies, including on Andrei Tarkovsky, Jean-Luc Godard, Jia Zhangke, Hou Hsiao-hsien, Nagisa Oshima, New French Extremity,...
Tony Rayns is a London-based critic with a special interest in the film cultures of East Asia. He has been awarded the Kawakita Prize (2004) and the Foreign Ministry of Japan’s Commendation (2008) for services to Japanese cinema. His books...
Tim Lucas is a novelist, critic, biographer, monographer, and lyricist, as well as the former editor and copublisher of the influential Video Watchdog magazine. The only journalist granted full access to the set of Videodrome, he is now the audio...
Dennis Lim is the artistic director of the New York Film Festival and the author of David Lynch: The Man from Another Place (2015) and Tale of Cinema (2022).
Peter Matthews is a senior lecturer in film and television at the London College of Communication, University of the Arts London. He is also a regular contributor to Sight & Sound.
Vida T. Johnson is professor of Russian film and culture at Tufts University and the co-author, with Graham Petrie of The Cinema of Andrei Tarkovsky: A Visual Fugue, Indiana University Press, 1994.
Li Cheuk-to is General Manager of the Hong Kong International Film Festival and the author of Notes on Hong Kong Cinema of the Eighties and Gallery of Vivid Images.
Tullio Kezich wrote the biography Fellini and a diary of the shooting of La dolce vita. He also cowrote the screenplay for The Legend of the Holy Drinker with Ermanno Olmi. This piece previously appeared in the Criterion Collection’s 2001...