The Portrait

Sep 19, 1994 — The French do not have to take crash courses in order to deal with the man/woman thing. It is in their blood and in their civilization. Hence, they do not have to compensate for a habitual sexism with extravagant portraits...

Feb 8, 2022 — Studio Visits A passion for photography runs in Chris Buck’s family. Born and raised in Toronto, he attributes his early interest and comfort in the field to the influence of his father, who worked at Kodak. Being exposed to the art form in his...

Jul 6, 2020 — The latest short film to take the spotlight on the Criterion Channel, Marnie Ellen Hertzler’s Dirt Daughter emerged from the collaboration of a vibrant community of artists. Not only was it produced by the innovative collective the Eyeslicer, which supports...

Mar 4, 2019 — Thanks to Charly Palmer, our edition of To Sleep with Anger certainly catches the eye. The Atlanta-based artist, who illustrated our cover for Charles Burnett’s long-underseen 1990 film, has for years been renowned for his vibrant, densely layered depictions of...

Dec 28, 2018 — Ulysses S. Jenkins’s Two-Zone Transfer By this time in December, the usual onslaught of critics’ polls and nomination lists has given movie lovers a feeling of consensus about what was unmissable over the past twelve months. We were curious about...

Apr 21, 2017 — Did You See This? With its startling mix of tones and genres, Jonathan Demme’s 1986 Something Wild captures the destabilizing experience of falling in love. Kim Morgan looks back on this “moody, transgressive, genre-bending, weirdly romantic (and unromantic)” comedic thriller...

Feb 22, 2017 — Portraits of family dysfunction don’t get much more brutal than Michael Curtiz’s 1945 Mildred Pierce, which features Joan Crawford in an Oscar-winning performance that revived her career. Adapted from James M. Cain’s psychological novel, the film injects hard-boiled suspense into...

Dec 7, 2016 — This holiday season, we’re bringing our United Kingdom audience two sharply written portraits of New York family dysfunction with our editions of Wes Anderson’s brilliantly stylized ensemble comedy The Royal Tenenbaums and Noah Baumbach’s hilarious chronicle of a divorce The...

Jan 8, 2013 — The two movies that opened the door to “youth culture” in Hollywood, The Graduate and Easy Rider, were milestones, to be sure. But can it really be said that they were milestones in the art of cinema? “I think The...

Dec 13, 2011 — Just what is it that makes Seijun Suzuki’s Tokyo Drifter (1966) so different, so appealing? The cherubic hero in the neat powder blue suit, who looks like he was torn out of a yakuza pop-up book? That hauntingly cornball theme...