Portraits of family dysfunction don’t get much more brutal than Michael Curtiz’s 1945 Mildred Pierce, which features Joan Crawford in an Oscar-winning performance that revived her career. Adapted from James M. Cain’s psychological novel, the film injects hard-boiled suspense into the story of the eponymous heroine (Crawford), who works tirelessly to build a life of social stability for her cruel and ungrateful daughter Veda (Ann Blyth). In the clip below, excerpted from a new conversation on our release, critics Molly Haskell and Robert Polito explain how this classic upends the conventions of the women’s picture and how the toxic mother-daughter relationship in the film compares to the one in Cain’s novel.
Why Swing Time Is the Greatest of All Dance Films
In this excerpt from an interview on our new edition of the Astaire-Rogers classic, dance critic Brian Seibert explains how beautifully and cleverly the film integrates dance into the structure of a romantic-comedy plot.
A Moody Meditation from the Set of Blue Velvet
In a rarely seen documentary about David Lynch’s 1986 masterpiece, the director and his star, Isabella Rossellini, give their candid impressions about the creative journey they’ve embarked on together.