Filmmaker and theorist Laura Mulvey is the author of the groundbreaking 1975 essay "Visual Pleasure and Narrative Cinema." A Collection of her more recent writings has been published by the BFI as Fetishism and Curiosity (1996).

Oct 29, 2018 The actor looks back on her experience on the set of Brian De Palma’s first Hitchcockian thriller and her friendship with costar Margot Kidder.

Oct 23, 2018 Brian De Palma found his home in the psychological thriller with this chilling tale of murder, which twists genre conventions to investigate the perils of looking and the pitfalls of subjectivity.

Sep 11, 2016 On his seventy-sixth birthday, we’re celebrating the work of Hollywood enfant terrible Brian De Palma, whose iconoclastic five-decade career has encompassed an astonishing array of genres, including erotic thriller, war drama, and science fiction.

Oct 29, 2009 In the spirit of the season, we asked a select coven of horror mavens (including a couple of our own) to write about their favorite Criterion scarefests. Chuck StephensEquinox: The Eyebrows of Mr. Asmodeus There are myriad ways into Equinox,...

Oct 20, 2008 Though he had been directing films since the silent era, Kenji Mizoguchi didn’t become an international sensation until after the Second World War, benefiting from a new fascination with Japan’s cinematic output.

Other Goings On

The Daily

Sep 2, 2026 As the fall festival season begins, let’s not overlook some of the other unmissable events happening elsewhere.

Aug 31, 2026 The festival’s showcase of nineteen new restorations spans more than half a century of cinema history.

Aug 27, 2026 The illuminating 1982 documentary I Heard It Through the Grapevine follows the celebrated author on a journey through the American South, as he attempts to reckon with the legacy and losses of the civil rights movement.

Aug 25, 2026 James Gray’s extraordinary debut feature is a painstakingly distilled tale of crime and family dysfunction, captured with a merciless gaze and a sharp attention to idiosyncratic detail.

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